![]() Fully scriptable control via MIDI and OSC.‘Record Offset’ feature to solve the problem of latency in digital audio systems.So you can just substitute your own filtering/saturation for Augustus Loop’s own, or get really creative by inserting any plug-in you like in the delay. The ‘Fx Loop’ plug-in configuration allows you to route audio through other plug-ins either side of the ‘virtual tape’, allowing you to insert your own effects in the delay loop.(This is also the route to the popular ‘multiply’ and ‘divide’ features found on some popular looping devices.) ‘Inertia free’ mode suppresses the tape-like behaviour when changing delay times to allow seamless transitions between loop lengths.Host transport-sync’d punch in and out when recording.It can even automatically clear the loop for you once it’s faded out. Automatic fades up and down to allow smooth transitions in your playing.Ability to sync multiple instances of the plug-in running at once.Output of MIDI clock messages to synchronise other applications to the plug-in.Loop length can be set in terms of the host's tempo setting.Four feedback taps (left to left, left to right, right to left and right to right) with independent delay time and feedback settings, for ping-pong effects, stereo delays etc.‘Tape Sim’ section to emulate the signal degradation of vintage tape echo machines.Multimode filter and saturation in the feedback loop.smoothly change the delay time (as if you were changing the head gap on a tape delay).The delay simulates an old-style tape delay, meaning you can You can set the loop delay time while recording your first phrase. Really long maximum delay (3600 seconds - that's one hour).The key features of Augustus Loop that make it more than just a big delay effect are: (If you're unfamiliar with the concept/genre of looping, pay a visit to Version 2 is now available! For the complete list of new features see here. Augustus Loop is an emulation of a tape-based delay effect, with some extra features to facilitate its use as a looping device.
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